Author: Cynthia M. Sheward

  • FLYING FREE

    FLYING FREE

    To go in a puff of feathers, a glory of days,
    Soft as clouds of air
    Gone – gone – gone.
    There are worse things,
    Lying there
    Suffering in white sheets – tethered to machines’
    Endless beeping – intake and outtake monitors -
    The blue of fluorescent lights pulsing about you.
    A constant parade of people checking, checking, checking,
    Reluctant to let you go in case they might save you.
                ‘For what?’ is the unasked question.
                ‘For what – please?’
    It’s late in the day for golf.
    Americans fear death like quiet.
                Both are becoming hard to find.
                Shop Rite makes me bless my deafness.
     
    Feathers and glory
    It isn’t all bad to explode out of life
    Black feathers against a blood moon.
     
  • TREE MAN

    TREE MAN

    Squirrels remind me of a man
    I loved, who with rope and spike
    mimicked them
    climbing trees and swinging
    limb from limb.
    “They are my brothers”
    he said.  Came home crying one day
    because he crushed a nest,
    killed babies, when he felled
    an oak.
     
    I stop to watch
    a tree man work today.
    High in the air he swings
    in a chain saw ballet. As
    I watch him cut, climb     
    leap from limb to limb,
    my young life returns to me.
    I see my love without a net
    fearless and free
    against the sky.
     
     
     
     
     
     
     
     
  • INVASIVES

    INVASIVES

    A flattened Cane Toad lies
    in the street.  Its poison can kill a dog. 
    They hunt by the garage at night
    under the light - run when I come out 
    leap into the garage door
    with a THUD.  Invasive.
    Poisonous. 
    Not bright.
     
    When the temperature drops
    below 40 in South Florida,
    iguanas fall from trees like rain.
    “Don’t touch them” we’re told
    these colorful creatures are dormant.
    They advise us to kill them -these visitors
    from the Jurassic. I cannot.
    How could they know they’re trespassing?
     
    Purple stalks of Lupine carpet Iceland
    their color pops against green moss.
    Their beauty out-competes
    local flowers - poses for photo ops
    with tourists picnicking by “Keep Off” signs,
    blankets old lava flows and glacial melts.
    Visitors stride from ships and planes to seek
    this island’s treasures - yet urge it to trade
    silkies for Sea World.
     
    Loosestrife blooms each August at riverside
    in my old town.  The mill wheel turns.
    Art hangs in the stone museum. 
    People come for the small shops and fine buildings
    but stay for quiet streets overcast by ancient trees.
    The area booms when the Interstate is finished -
    corporate folks out-compete farmers. 
    Agway loses to Walmart.
    Commuters careen past hay wagons
    on country roads.
     
  • GRANDMOTHER

    GRANDMOTHER

    It must have been a high-end sanitarium.
    The plates she painted there were Limoges.
    I thought for years she was an artist.
     
    I did wonder why we had those, when all
    Dad’s banker father left him was a gold dollar.
    The rest went to the second wife.
     
    My family said I didn’t look like anyone.  They said
    Grandmother was in and out of institutions before
    dying young. They would have mentioned TB.
     
    But my eyes gaze back at me from her 1910 portrait. 
    Why did no one mention this resemblance?
    Did they fear insanity was catching like flu?
     
    It must have been a high-end sanitarium
    where she painted all I knew of her
    perfect roses, lilacs, forget-me-nots.
     
  • THE PIANO

    THE PIANO

    
    The piano would not fit through the door
    of the shingled house with the western view.
    The black and ivory keys I caressed each day
    could not bend through breezeway & kitchen
    to wait until my hands grew large enough for lessons.
    Only my father’s accordion entered this house
    to gather dust in its black case in the cellar.
     
    Standing on the back seat of our grey Buick
    I’d play the front seat like a keyboard and belt out 
    “Singing in the rain.  I’m singing in the rain.”
    Walking home from Washington School,
    I’d dance in musicals of my own making.
    Sometimes in summer Dad would get out his accordion
    to play “Bonaparte’s Retreat” and “The Beer Barrel Polka”.
     
    Something happened in junior high.
    The whole family became cacti. The music stopped.
    I was grounded more than I roamed free.
    I went to the Brooklyn Fox but said I was going bowling.
    We were the only white kids in a black audience swaying to
    Sam the Sham, The Four Tops, The Shirelles.
    The joint was jumping and I’d go again tomorrow.
    But the concert went on and on and I missed my curfew.
    It was the only time my father ever hit me - a face slap for lying.
    But damn that music was great.
     
     
     
     
  • ARTISTS

    ARTISTS

    we’re not artists
    in all places, times.
    no one’s whole life rhymes.
     
    at moments we may
    draw, write, pray.
     
    at others, watch,
    love, raise children,
    join the fray of being.
     
    let’s love ourselves
    await the time
     
    when Spirit calls
    then pick up pen or violin
    and begin.
  • WILD HORSES

    WILD HORSES

    Las Vegas. How glorious!
    It’s a hot diggity dog free-for-all.
    No planning, no zoning –
    dump it all out there
    on dry-as-a-bone high desert,
    a pawnshop, carwash
    heaven.

    Million dollar-gated communities rest flush against junked car yards with razor wire fences,
    graffitied underpasses and washed out
    arroyos with undocumented poverty up the
    wazoo.

    In the middle of which someone has dropped
    a statue of liberty, a sphinx and a pyramid
    stitched together by a roller coaster -
    “Oh, say can you see!"

    People flock here to drop millions.


    “They’ve shipped the wild horses north.” The park ranger told me.
    “They couldn’t survive here.”
    
    
    
    
    

    Photograph by James Brown.

  • where the trout swim

    where the trout swim

    Loving you prepared me for Walmart
    where greeters are friendly but the merchandise
    is made by strangers in dark, distant rooms.
     
    Losing you prepared me for Reductions in Force
    Being told “You’ve worked hard. This isn’t personal. 
    It’s about stock price.”
     
    Watching you leave broke me like an egg
    Nothing I knew was true – zip – zero – nada.
    I must start again from the beginning.
     
    Starting over prepared me for God,
    who waited at the still bottom of a life 
    emptied of passion, distraction and theory.

    Not the stand up sit down God of my childhood
    But the God who put a rainbow over the barn
    And showed me where the trout swim.

     
  • GREY

    GREY

    Grey’s the hair color you can’t buy.
    I tried. I urged my hairdresser to
    change my entire head.
    “Not possible”, he said
    “although new grandmothers
    often ask.”
     
    It’s good perhaps
    some things remain
    beyond our grasp
    Time’s provenance
    to bestow
    If we’re so
    blessed.
     
    My grey hair
    like my mom’s
    lifts from my brow
    on just one side.
    I’ve left it pale since
    the February day
    she died.
  • SHALIMAR

    SHALIMAR

    My mother's scent was hers alone
    familiar from the start just like my own.
    Shalimar and lipstick
    salt air and steam irons
    beige powder dusting her dressing table,
    scattered sweaters, a turquoise negligee.
    
    Once, invited to the Waldorf
    for a DuPont dinner,
    she spent a fortune on a formal dress.
    Arrived in lace and pick satin
    to face women clad in cocktail clothes.
    Edna, ever the Indiana girl.
    How many Manhattans did it take to kill 
    those feelings?
    
    After her death,
    I asked Sister Jose Hobday
    “Will I ever smell that scent again -
    touch her soft white hair?”
    So much of me left with her
    I am my mother’s child.
    
    Peaceful in all worlds,
    Sister Hobday laid
    her hand on mine
    and smiled.
    
    

  • MORNING PRAYER

    MORNING PRAYER

     
     
     Be with me, God
     As I am
     Merely mortal, graceless, small.
      
     Hold me, Lord
     In your hand
     Watch me as you watch o’er all.
      
       

  • BOB’S ADVERB

    BOB’S ADVERB



    Who named the adverb bastard child?
    Is this because it fails to stand alone,
    leans always on another
    for meaning
    so much like us
    at our worst (and best)
    we shun them?

    In the time when fans spoke quietly
    before the days of scream and riot,
    we stood with Dylan after a concert
    behind the Mosque in Newark.
    We talked, shared wine, laughter.
    He and Suze invited us to party in the city.
    We declined, I had a curfew.

    The next year in that same spot,
    a mob ran past us. A fan returned
    hand in air, shouting “I’ve got his hair!”
    So ended gentleness. It’s clear why
    Dylan sometimes plays -
    his back to the audience.
    Adverbs in my mind describe how
    translucent Dylan’s skin
    bright Suze’s smile
    tiny their Volkswagen
    high that fan held her cruel hand.

  • CHORES

    CHORES

    When the Winken Blinken days were gone,
    defiance became my middle name.
    Dad and I met only over floor tile and paint –
    chores well done.

    We’d visit the lumber yard, select
    pine to fashion Adirondack chairs
    to grace the deck, unaffected
    by wind and rain.

    Rising early, the bay quiet, we’d share coffee
    from a pot that sat – stacked silver orbs –
    on the counter – and discuss our day’s
    plans, make notes.

    I’m an ecstatic sander – a lover of latex.
    All my life – one gallon at a time
    I paint my way back
    to my father’s heart.

  • FOXCROSS FARM

    FOXCROSS FARM

    When I think of the farm, 
    it’s the stone bridge and country
    road curving by the low barn.
    It’s Tony’s tomatoes, white peacocks.

    When I think of the farm, I see pine
    trees, green pastures, the
    bramble roses by the creek
    sheep standing in the field.

    When I think of the farm,
    I watch women spinning wool
    the whir of wheels descant to
    soft voices and gentle laughter.

    When I think of the farm, I see
    Airedales, Romney sheep,
    a rabbit and Rhode Island Reds,
    a well-fed Peaceable Kingdom.

    I do not think of the ground
    we walked last night when
    one of their flock went missing
    fearing death had stalked a lamb.

    When I think of the farm,
    I don’t see Anthony striding the fields
    Julie peering into corner and cranny
    in tense, sweaty anxiety.

    Death’s but a hair’s breadth
    away each day. It makes
    sweet our brief walk through time
    I don’t think of that.

  • POET

    The permission givers are dead,
    their fingers fallen like dust
    from my wrists.

    Nothing’s left to fear – friends live here,
    some traveled early or late
    through death’s door, their
    praise and criticism heard no more.

    Only the work remains
    to claim before day’s end.
    I am who I’ve known
    myself to be.

  • WHAT CATS KNOW

    WHAT CATS KNOW

    The neighbor’s Siamese
    all smoke, beige fur, padded feet
    appears in the abandoned yard
    next door to torment my puppy.
    She cleans herself and watches.
    How does she know not to wander
    into the busy street out front
    or Interstate behind
    to be flattened by van or semi?

    What makes her sit instead
    and groom, blue-eyed Charybdis,
    hind leg lifted amid weed-shrouded lilacs
    while vehicles varoom past and
    exhaust wafts through the air
    stained with scent of fries and
    big Macs from across town?

    Dogs know none of this.

  • CROWS


    Black forms
    fly north-by-northeast
    over the transparent moon.
    First one, a few
    then a broken ribbon
    crosses the sky
    as the crows fly home
    to roost.
     
    Audubon does not say
    nor maps reveal
    which nook hides
    so many Corvids.
    They sway and weave  
    heading coastward
    over lagoons and draw bridges
    rivers and roads.
     
    I’ve wanted to befriend
    a crow for years
    although I know
    taming wild things
    is not an act of grace.
    But the presence of wildness
    is soul mending
    irreplaceable.
     
     

  • BEACH

    BEACH

    Glasses on an open book
        its pages ruffled by the wind.
    Spring air (as winter melts away)
        against a naked patch of skin.

    The warmth of sunlight on my back.
        The sight of seagulls as they fly.
    The scent of sand beneath a towel.
        The curl of waves under the arc of sky.

    Salt water when it’s clear and cool.
        Toweling hair after a swim.
     The beauty of the beach when fall is near.
        How skin when drying, gathers itself in.

    These images and more return to me
        when salt and sand and sea’s nearby.
    Sweet days lived long before I knew
        how life like summertime could fly.


  • LIKE ME

    LIKE ME

    Like me.
    That’s the drug – a draft of this nectar
    can own me into the next life for an accolade
    you barely recall.

    Like me.
    Quiet my fears with the smile and nod
    I awaited endlessly at war zone dinner tables, parentless
    performances and lonely surgeries.

    Like me
    and it’s ok not to have been born a son,
    to be funny, a tree climber and never a prom queen
    to get migraines.

    Like me
    and I could weep, run,
    dance, spread my arms to this fast warming world
    in joy, terror and love.

  • FIDDLEHEADS

    Each May I walked the ground along Bull Run
    seeking fiddleheads.
    Returning home with my bag of ferns,
    I’d blow the papery layer off,
    then steam them. Their perfume filled the house
    with a scent I dream of still.
    I’d arrange the stems and
    whorled tops on a painted plate
    and drizzle them with hollandaise.
    Sitting on the porch with fiddleheads and wine,
    I’d watch the sun set and
    celebrate surviving another Vermont winter.
    The feast made it impossible to believe
    the world less than
    perfect.

    Each May I return to that riverside
    to walk and pick and steam again
    those green ferns in my mind
    savor days feasting on found food
    before wine and wanting tangled life.

    It was a small New England town
    I taught English to farm kids.
    Summers I sold crafts to tourists from a one-room school
    with Gretchen Crookshank, 80, all gossip, elegance
    and jangling bracelets and the nervous
    mother-son pair from Center Street, whose handmade
    hats looked machine-made.
    I studied knitting with a Norwegian neighbor and
    spinning at the Hoffman’s farm.
    Barbara, the bus driver, struggled to get her rabbits
    to mate – tales of candlelight and music in the barn
    defied myths of rabbit reproduction.
    I made spending money as a night librarian.
    I had kind friends.
    My husband loved me.

    Each May I return to that riverside
    to select ferns
    and steam them once again
    to think on the turns
    that took me far from fiddleheads
    and the small town that held them.

    A town I left to wander
    from school to ski resort to Fortune 500 corporation –
    another marriage and a family
    South to Jersey then further still to
    Carolina mountains where high along the Blue Ridge
    we built a home with our own hands
    board by slow board – designing as we went our nest
    which, when it fell, almost toppled me as well.
    But I had a son to raise and
    clothes that needed washing
    dinners to cook, a dog to walk
    I learned that women hold the world together.
    I moved back to the rumble of Interstates and 18 wheelers
    where a red-tailed hawk glimpsed early
    could hold me the entire day.

    Each May I look northward
    dream of fiddleheads
    along Bull Run
    remember pale iris in the yard,
    where nightly trains
    run whistling by.

     

  • UNCLE

    He walks the woods no more
    this land whose every hill he knows
    geodes by the stream
    the trail where turkeys file at dusk.

    Right hand upon his dog,
    he sits beside the window to watch
    the squirrels she used to chase
    cache nuts against the coming dark.

    A doe, two fawns at clearing’s edge
    browse by the lick set out last fall.
    Their colors blend with leaves and brush
    that hide morels awaiting spring.

    His wife is ill. Her malaise named
    but without cure. His hips, once limber,
    grate now sharply bone on bone.
    He lets the dog out, sees her roam.

    When he whistles,
    she trots slowly home.

    Cynthia M. Sheward

  • LAST DANCE

    At a summer wedding we dance under a cobalt sky,
    a thing my husband rarely does.  I feel beautiful
    in a cotton dress with flowers I’d stitched across the yoke.
    Weddings let us gaze into the holy
    from ground we struggle to hold
    despite moonlight and candle glow.

    We’d lived separately for months.
    We knew when vows were said
    the work of marriage would begin
    with its crowded airports and unforgiving deadlines.
    Cats would die, pipes freeze and
    sex be one more demand in days overfilled.

    Fights might escalate – blame ignite their home,
    Chores lay undone as communication fails.
    Someone else’s caring might seem water on dry ground.
    We’ve no secrets from ourselves.
    Poor choices root in hearts like kudzu.
    Cracked, the egg of marriage resists mending.

    But this night their honeymoon is still ahead,
    cocooned by family and friends, their life sparkles with possibility.
    “You’ll always be my star,” Jim whispers as we waltz.
    He walks me down the driveway to my car.
    He holds the door for me and says 
    I want a divorce. I’m going to marry Kathy.”

    
    
  • CIGARETTES

    Thirty years but
    if one’s lit nearby
    the scent draws me
    like a child to brownies.

    Worse to quit
    than bread or chocolate
    beer on a hot day
    wine as I cook.

    They told me “Place old butts
    in a jar, take a deep whiff
    if you weaken” – that jar
    smelled of every man I’ve loved.

    Two things carried me
    my son and desire
    for the freedom to
    not need anything.

    Still, if someone
    snuffs a candle
    or strikes a match
    just so…

  • SMALL ABANDONMENTS AND LEAVE TAKINGS 

    I thought elephants danced in the car
    as my aunt clasped me, age two with pneumonia
    and mom drove to hospital – I screamed when they
    left so the doctors forbade future visits.
    I was alone with nurses and needles
    for two long white weeks.

    Pat left me tied, age five, to a phone pole.
    She didn’t do it. Gerard and his buddies did
    but my sister, my protector, walked away
    left me bound ‘til dinnertime alone
    next to the street, a kindergartener
    in suspenders and red Keds.

    In 9th grade, Sandi broke up with Tom.
    He asked me out – the blond boy of my dreams!
    Sandi coached me for a week on
    dancing, clothes and French kissing.
    Then, outside Grunnings, his friends laughed,
    teased me – the date was a joke. Didn’t I get it?

    Jamie had a sister – institutionalized.
    I had no brother. We were siblings for each other.
    I felt safer with him than anyplace I know.
    He married young, grandson by 52. A mole grew.
    Jamie, who could corral whole rooms with laughter,
    called one afternoon to say he did not feel
    like he was dying. But he did.

    Glenn “with two n’s, like Glenn Miller”
    had wave blue eyes I swam in.
    Knew me better than I knew myself.
    Is married now to someone else.
    He called to make amends –
    apologize for choices he knew better than.
    Said he loves me still – he always will.

    I saw the color fall from mom’s face.
    “She’s going!” I said.
    Pat and I grasped her hands.
    “Our Father, who art in Heaven
    Hallowed be Thy name.”
    This is it. So gentle.
    Then gone. Her final gift to us.
    Death, fearless, light as air.

  • JRM

    When you arrived in my life
    with saturated colors
    I was not looking to meet
    to move, to love
    but there you were
    from just around the corner.
    I knew Bev’s name
    remembered the Park Theatre
    how we danced and laughed
    played at Francisco Field
    you in your baseball uniform
    me watching little league on
    spring days.

    I met a man
    whose bruises matched mine
    in surprising ways
    whose kindness ran as deep
    as his silence and need for
    quiet and alone time
    who loved animals
    working
    taking pictures

    I met my match.